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One of Xu Tong's "Vagabond Trilogy," Li Bicheng, a man who has spent a lifetime in solitude, meets Shi Zhuzhu, who suffers from a disability and has been severely abused at home, when he is in his forties. From then on, the two begin to live together. They reside in a rural-urban fringe area in the north, where Li Bicheng makes a living by telling fortunes for others. The clients who come to him for fortune-telling are often prostitutes, each with their own secrets and concerns. Due to the cold winter and a crackdown on prostitution, the couple returns to their hometown, Qinglong. There, they visit Shi Zhuzhu's hometown and then return to Li Bicheng's old house. In spring, they set out again, heading to temple fairs, hoping for a change in their fortune. With its long narrative and the traditional Chinese novel chapter structure, "Fortune-Telling" shifts its scenes with the characters, providing a social backdrop across different geographical spaces. It portrays the insignificant, wandering lives of small people and the human relationships and social norms within those lives. In this process, it attempts to delve into human nature. "Fortune-Telling" presents people with disabilities and those on the fringes of society, much like "Harvest," with moral challenges from various perspectives.